O pop está salvo (mais uma vez)

“Cut To The Feeling” é mais um side-b de Emotion e, mesmo assim, consegue ser uma das melhores coisas do ano. O clipe é simples. E, por isso mesmo, mágico.


Eu queria estar lá

O New Yorker fez um retrato apaixonante do que foi Carly Rae Jepsen acompanhada de uma orquestra, nesse final de semana, em Toronto.

Em suma: eu queria estar lá.

The orchestra began, suddenly, in a way that resembled star formation—dense clouds of melody floating in suspension and then, under piccolo flurries and timpani rolls, fusing into one. A sax line emerged, neon with yearning, and Jepsen came out to sing “Run Away with Me,” unprotected by reverb and curling her voice tight around the notes. She glittered in her peculiar, brilliant, half vacant way. Jepsen is, for a pop star, a remarkably unassuming presence—she always seems like a conduit for something, rather than the thing itself—and though she managed the evening’s performance appropriately, like a diva, with a gown change and Streisand gestures, it seemed to me as if she could’ve been singing in front of her bedroom mirror, or in a dream. It just so happened that she was in front of a full symphony orchestra, facing a crowd of people who would eventually jump to their feet and sing along and dance like they, too, were alone in their rooms. The orchestra was heartbreaking, restrained by the simplicity of the songwriting and yet inherently hyperbolic. The violins took up the moments where, normally, on her albums, you’d hear Jepsen ad-libbing with interjections. Instead of a “Hey!” their bows would strike, like an epiphany, a burst of sweetness outside the realm of words.

Take me to emotion, show me devotion

Qualquer dia desses escreverei algo mais detalhado sobre como Carly Rae Jepsen é a rainha de um tipo de pop muito específico — o pop perfeito, não necessariamente nostálgico, mas que se alimenta de uma forma de alegria extrema.

Por enquanto, ela não desaponta. De forma alguma.

P.S.: Ouvi isso aqui pela primeira vez às uma e meia da manhã e não desgrudei dos ouvidos até agora.